Spanish Themes in the Work of Natalia Goncharova
https://doi.org/10.46272/2409-3416-2024-12-4-35-49
Abstract
Many research papers examine the artistic heritage of the Russian painter Natalia Goncharova, yet relatively few analyze the Spanish themes in her work that she first explored in her sketches for ballets inspired by Spain and then in a series of paintings known as «The Spaniards» («Las españolas»). Nonetheless, in 1939, in the artist’s lifetime, an exhibition «Natalia Goncharova: Spaniards and magnolias» was held at the French gallery «Le Cadran». Marina Tsvetayeva, Russian poet and prose writer, described «The Spaniards» in her essay «Natalia Goncharova: Life and Work», highlighting the distinctive features of this series of paintings. These include the musical rhythm of contours and colour combinations, ethnographic elements, repetitive motifs, at the same time the variety of their interpretation, since the painter’s style evolved from decorative cubism to Art Deco and neoclassicism. Works with Spanish themes play an important role in Natalia Goncharova’s art because the images she created from 1916 to the early 1940s, during her Parisian period, reminded her of the homeland she had left. Thus, the study of the evolution of style, technique and function of Spanish themes helps to not only evaluate the influence of the theatre and flamenco on this series of works, but also to identify its two key components, namely the folkloric and the aristocratic. Combining the Western form of Spanish images with their Eastern spirit, Natalia Goncharova underlined the similarities between Russian and Spanish culture.
Keywords
About the Author
T. M. MaksimyukRussian Federation
Tatiana M. Maksimyuk, Researcher at the Department of Fine Arts; Researcher at the Sector of Iberoamerican Art,
107061, Moscow, Bolshaya Cherkizovskaya street, 14, building 2.
References
1. Arefieva A.B. (2015) Ispanskii tsikl Meierkholda. K 100-letiyu spektaklya «Stoikii prints» po P. Kalderonu v Aleksandrinskom teatre. Katalog vystavki [The Spanish cycle of Meyerhold. For the centennial of the play «El príncipe constante» by P. Calderon at the Alexandrinsky theatre. Exhibition catalog], Moscow, GTsTM im. A.A. Bakhrushina, 41 p. (In Russian)
2. Arefieva A.B. (2024) «Eto ne Karmen». Ispaniya na russkoi dramaticheskoi stsene vtoroi poloviny ХХ v. [«It’s Not Carmen». Spain on the Russian Drama Stage of the Second Half of the 20th Century], Cuadernos Iberoamericanos, no. 3, pp. 102–119. DOI: https://doi.org/10.46272/2409-3416-2024-12-3-102-119 (In Russian)
3. Astahova E.V. (2012) Tsvet v obraze Ispanii [Color in Character of Spain], MGIMO Review of International Relations, no. 3(24), pp. 142–147. DOI: https://doi.org/10.24833/20718160-2012-3-24-142-147 (In Russian)
4. Astahova E.V. (2023) Ispaniya kak metafora [Spain as a metaphor], Moscow, MGIMO University, 287 p. (In Russian)
5. Bobrovskaya L.N. (2018) Nataliya Goncharova. Albom [Natalia Goncharova. Album], Moscow, Gosudarstvennaya Tret’yakovskaya galereya, 48 p. (In Russian)
6. Vakar I.A. (2013) Nataliya Goncharova. Mezhdu Vostokom i Zapadom [Natalia Goncharova. Between East and West], Moscow, Gosudarstvennaya Tret’yakovskaya galereya, 440 p. (In Russian)
7. Vakar I.A., Levina T., Mikhienko T. (2005) Vostok, natsional’nost’ i Zapad, Zhurnal [East, Nationality and the West], Zhurnal «Tret’yakovskaya galereya», Spetsial’nyi vypusk. Bubnovyi valet, URL: http://www.tg-m.ru/articles/spetsialnyi-vypusk-bubnovyi-valet/vostok-natsionalnost-zapad (accessed: 23.10.2024). (In Russian)
8. Zagorskaya S.G. (2023) Ispanskaya zhivopis v rossiiskikh sobraniyakh. K otrkytiyu vystavki inpanskikh khudozhnikov v Pushkinskom muzee na Volkhonke [Spanish Paintings From Russian Collections. The Pushkin State Museum of Fine Arts will open an exhibition of Spanish painting from the collections in Russia], Iberoamerican Papers, no. 2, pp. 14–29. DOI: https://doi.org/10.46272/2409-3416-2023-11-2-14-29 (In Russian)
9. Ilyukhina E.A. (2014) Poshuary Natalii Goncharovoi [Poshuaries by Natalia Goncharova], Tret’yakovskaya galereya, no. 1. URL: https://www.tg-m.ru/articles/1-2014-42/poshuary-natalii-goncharovoi (accessed: 24.10.2024). (In Russian)
10. Ilyukhina E.A. (2015) Ispanskaya feeriya Natalii Goncharovoi [The Spanish extravaganza of Natalia Goncharova], Tret’yakovskaya galereya, no. 4. URL: http://www.tg-m.ru/articles/4-2015-49/ispanskaya-feeriya-natalii-goncharovoi (accessed: 24.10.2024). (In Russian)
11. Kovalenko G.F. (ed.) (2001) Amazonki avangarda [Amazons of the avant-garde], Moscow, Nauka, 338 p. (In Russian)
12. Paston E. (2014) «Dekorativno vse i tolko dekorativno». O yubileinoi vystavke Aleksandra Golovina i Tretyakovskoi galeree [«Everything is decorative and only decorative». About Alexander Golovin’s anniversary exhibition at the Tretyakov Gallery], Tret’yakovskaya galereya, no. 3, pp. 6–31. (In Russian)
13. Sarabianov D.V. (2001) Istoriya russkogo iskusstva kontsa XIX – nachala ХХ veka [History of Russian Art of the late XIX-early XX century], Moscow, AST-Press: Galart, 301 p.
14. Tsvetaeva M.I. (1929) Natalya Goncharova (zhizn i tvorchestvo) [Natalia Goncharova (life and creativity)]. Elektronnaya biblioteka Maksima Moshkova. URL: http://az.lib.ru/c/cwetaewa_m_i/text_1929_natalia_goncharova.shtml (accessed: 25.10.2024). (In Russian)
Supplementary files
![]() |
1. Иллюстрации к исследовательской статье Т.М. Максимюк «Испанские темы в творчестве Н.С. Гончаровой» | |
Subject | ||
Type | Исследовательские инструменты | |
Download
(2MB)
|
Indexing metadata ▾ |
Review
For citations:
Maksimyuk T.M. Spanish Themes in the Work of Natalia Goncharova. Cuadernos Iberoamericanos. 2024;12(4):35-49. (In Russ.) https://doi.org/10.46272/2409-3416-2024-12-4-35-49