| |
| Issue |
Title |
| |
| Vol 12, No 2 (2024) |
Geometry of the Sacred. The Symbol System of the Brazilian Artist Rubem Valentim |
Abstract
PDF (Rus)
|
|
N. V. Vikhreva |
| |
| Vol 12, No 2 (2024) |
«Putting it all back where it belongs»: Repatriation of Cultural Objects in the Relations between the UK and Latin American and Caribbean States |
Abstract
PDF (Rus)
|
|
E. S. Pankov |
| |
| Vol 12, No 2 (2024) |
Images of Cultural Heritage in the Tourism Brand of Spain |
Abstract
PDF (Rus)
|
|
A. A. Koroleva, E. P. Smolskaya, V. S. Davydkin, L. D. Novikova |
| |
| Vol 12, No 2 (2024) |
A New Museum of Art of Russia and the Global South |
Abstract
PDF (Rus)
|
|
V. B. Zotov, V. S. Danilyuk, N. V. Vikhreva |
| |
| Vol 12, No 2 (2024) |
Juan de Arellano (1614–1676) and His Flower Garlands |
Abstract
PDF (Rus)
|
|
Alice Joan Hu |
| |
| Vol 12, No 2 (2024) |
Lima: A Creole City, a Mestizo City |
Abstract
PDF (Esp)
|
|
Ricardo Pinto-Bazurco Mendoza |
| |
| Vol 12, No 2 (2024) |
Spain in the Mirror of the Museo del Prado |
Abstract
PDF (Rus)
|
|
T. I. Pigariova |
| |
| Vol 12, No 2 (2024) |
Uruguay Is Reflected in Its Art |
Abstract
PDF (Esp)
|
|
Enrique Aguerre |
| |
| 1 - 8 of 8 Items |
|
