Floral Ornament as a Key to Understanding the National-Romantic Version of Catalan Modernism
https://doi.org/10.46272/2409-3416-2023-11-2-94-110
Abstract
The article examines the symbolism of vegetal forms used in Catalan modernism at the turn of the 20th century. Catalan modernism was one of the artistic movements that widely used nature as a source of inspiration. Vegetal elements of decoration were not just aesthetic ornaments, they were filled with historical and cultural symbolism acquiring ideological value. Guided by the national ideals that were formed during the 19th century in the wake of the Renaixença, the artists of Catalan modernism created a symbolic universe. Vegetal ornamentation synthesised and visually conveyed the diversity of ideas of Catalanism, i.e., nationalism, tradition, heroic past and religious sentiment. It resulted in an iconographic program adapted to the distinctive features of Catalan society and, in particular, to the ideological background with which conservative Catalanists identified themselves.
About the Author
N. A. KuzinaRussian Federation
Nataliya A. Kuzina - Junior Researcher of Institute of World History of RAS.
119334, Moscow, Leninsky prospekt, 32a
References
1. Barceló i Martí M. C. (2023) Les plantes en l’obra de Jacint Verdaguer [Plants in the Works of Jacint Verdaguer], Publicacions i Edicions de la Universitat de Barcelona, Barcelona, España, 414 p. (In Catalan)
2. Domènech y Montaner L. (1963) En busca de una arquitectura nacional [In search of a national architecture], Quaderns d’arquitectura i urbanisme, no. 52/53, pp. 9-11. (In Spanish)
3. Domingo J.M. (2002) Verdaguer i Domènech i Montaner. A propòsit d’uns inèdits verdaguerians de la Casa-Museu Domènech i Montaner [Verdaguer i Domènech i Montaner. About some unpublished Verdaguerians from the Domènech i Montaner House-Museum], Revista de Catalunya, no. 178, pp. 55-69. (In Catalan)
4. Farré M. (2019) Arkhitektura, simvol i transtsendentnost’ v arkhitekture Antonio Gaudi [Architecture, symbol and transcendence in the architecture of Antonio Gaudi], Materials of XVI European Congress of Psychology. URL: https://www.maap.pro/biblioteka/stati/farre_arhitektura_gaudi.html (accessed: 20.04.2023). (In Russian)
5. Fontbona F. (2002) Jacint Verdaguer i les arts plàstique [Jacint Verdaguer and the plastic arts], Anuari Verdaguer, no. 11, p. 143-155. (In Catalan)
6. Fontbona F. (2007) El paisatge pictòric, abans del seu alliberament [The pictorial land-scape, before its release], Saitabi: revista de la Facultat de Geografia i Història, no. 57, pp. 99-109. (In Catalan)
7. Fuente Bermúdez V. (2016) Cerámica domenechiana y la Casa museu Lluís Domènech i Montaner [Domenechian ceramics and the Lluís Domènech i Montane House Museum], CIMAM 2016. Congreso Internacional el Modernismo en el Arco Mediterráneo, Universidad Politécnica de Cartagena, Cartagena, España, pp. 585-592. (In Spanish)
8. Fuster J. (1975) Literatura catalana contemporánea [Contemporary Catalan literature], Ed. Nacional, Madrid, España. 447 p. (In Spanish)
9. Kuzina N.A. (2018) Istoricheskie i kul’turnye predposylki Renashensa v Katalonii [Historical and cultural background of the Renaixença in Catalonia], Latin-American Historical Almanac, no. 19, pp. 258-276. DOI: https://doi.org/10.32608/2305-8773-2018-19-1-258-276 (In Russian)
10. Kuzina N.A. (2021) Zarozhdenie i formirovanie natsional’nykh simvolov Katalonii v ramkakh Renashensy i ikh vizual’naya reprezentatsiya v XIX v. [The origin and formation of the national symbols of Catalonia within the framework of the Renaixença and their visual representation in the XIX century], Concept: philosophy, religion, culture, no. 5(4), pp. 114-130. DOI: 10.24833/2541-8831-2021-4-20-114-130 (In Russian)
11. Kuzina N.A. (2022) Rol’ pravykh politicheskikh sil v formirovanii katalonskogo natsionalizma vo vtoroi polovine XIX v. [The role of right-wing political forces in the formation of Catalan nationalism in the second half of the XIX century], Latin-American Historical Almanac, no. 35, pp. 214-235. DOI: https://doi.org/10.32608/2305-8773-2022-35-1-214-235 (In Russian)
12. López F. (2013) El lenguaje de las flores en el Modernismo de Barcelona: precedentes e influencias francesas [The language of flowers in Modernism in Barcelona: precedents and French influences], en Martínez A., Osuna I., Infantes V. (eds.) Palabras, símbolos, emblemas. Las estructuras gráficas de la representación [Words, symbols, emblems. The graphic structures of representation], Turpin Editores, Madrid, España. Pp. 313-321. (In Spanish)
13. Navais i Icart J. (2016) Lluís Domènech i Montaner i la gènesi del catalanisme politic [Lluís Domènech i Montaner and the genesis of political Catalanism], Jornades d’Arquitectura Modernista: El Modernisme, Domènech i Montaner i el seu temp, no. 1, pp. 13-47. (In Catalan)
14. Orazi V. (2019) La montagna magica del Canigó, mito fondazionale della nazione catalana [The magical mountain of Canigó, foundational myth of the nation], en Bonato L., Zola L., Angeli F. (eds.) Fantastiche montagne. Esseri e luoghi dell’immaginario nelle terre alte, Milano, Italia, pp. 11-31. (In Italian)
15. Pomés Vives J. (2019) Noms de persones als carrers de Canet [Names of people in the streets of Canet], Mossèn Cinto Verdaguer i la seva relació amb Canet. Sot de l’Aubó, no. 69, pp. 16-21. (In Catalan)
16. Riquer i Permanyer B. (2001) Modernismo y Modernistas [Modernism and modernists], Ediciones Lunwerg, Barcelona, España, 445 p. (In Spanish)
17. Sala T.M. (2015) Els Pirineus i el sentit de pertinence [The Pyrenees and the sense of belonging], Anuari Verdaguer, no 23, pp. 369-384. (In Catalan)
18. Sala T.M. (2019) El modernismo y las flores de la naturaleza a la arquitectura [Modernism and flowers from nature to architecture], Museu Badalona, Badalona, España, 33 p. (In Spanish)
19. Smith A. (2014) The Origins of Catalan Nationalism, 1770-1898, Palgrave Macmillan London, United Kingdom, 304 p.
20. Turull R.B. (2018) El Japonismo En Lluís Domènech i Montaner y Su Colección De Libros Ilustrados Japoneses [Japonism in Lluís Domènech i Montaner and His Collection of Japanese Illustrated Books], Archivo español de arte, Tomo 91, no. 363, pp. 285-300. DOI: https://doi.org/10.3989/aearte.2018.18 (In Spanish)
Review
For citations:
Kuzina N.A. Floral Ornament as a Key to Understanding the National-Romantic Version of Catalan Modernism. Cuadernos Iberoamericanos. 2023;11(2):94-110. (In Russ.) https://doi.org/10.46272/2409-3416-2023-11-2-94-110