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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">cuadernos</journal-id><journal-title-group><journal-title xml:lang="ru">Ибероамериканские тетради</journal-title><trans-title-group xml:lang="en"><trans-title>Cuadernos Iberoamericanos</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2409-3416</issn><issn pub-type="epub">2658-5219</issn><publisher><publisher-name>MGIMO</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.46272/2409-3416-2024-12-3-158-176</article-id><article-id custom-type="elpub" pub-id-type="custom">cuadernos-648</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИБЕРОАМЕРИКА: ТРАДИЦИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>IBERO-AMERICA: TRADITIONS</subject></subj-group></article-categories><title-group><article-title>Гармония развития: музыка и национальные музыкальные инструменты в Колумбии и Перу</article-title><trans-title-group xml:lang="en"><trans-title>Harmonizing Development: Exploring Music and Musical Instruments as National Instruments in Colombia and Peru</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-1212-8146</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Рохас Сампер</surname><given-names>М.</given-names></name><name name-style="western" xml:lang="en"><surname>Rojas Samper</surname><given-names>M.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Матео Рохас Сампер, аспирант кафедры мировых политических процессов, факультет управления и политики,</p><p>119454, Москва, проспект Вернадского, 76.</p></bio><bio xml:lang="en"><p>Mateo Rojas Samper, PhD Student, Department of World Politics, School of Governance and Politics,</p><p>119454, Moscow, Prospect Vernadskogo, 76.</p></bio><email xlink:type="simple">mrokhassamper@edu.hse.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Кортес Сальседо</surname><given-names>Ф. Д.</given-names></name><name name-style="western" xml:lang="en"><surname>Cortez Salcedo</surname><given-names>F. D.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Фавио Даниель Кортес Сальседо, студент бакалавриата, программа «Мировая экономика»,</p><p>603140, Нижний Новгород, проспект Ленина, 27.</p></bio><bio xml:lang="en"><p>Favio Daniel Cortez Salcedo, Bachelor’s student, World Economy program,</p><p>603140, Nizhny Novgorod, Lenin Avenue, 27.</p></bio><email xlink:type="simple">favio.cortezsalcedo@gmail.com</email><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>МГИМО МИД России</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow State Institute of International Relations</institution><country>Russian Federation</country></aff></aff-alternatives><aff-alternatives id="aff-2"><aff xml:lang="ru"><institution>Нижегородский государственный университет им. Н.И. Лобачевского</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Lobachevsky State University of Nizhny Novgorod</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>30</day><month>09</month><year>2024</year></pub-date><volume>12</volume><issue>3</issue><fpage>158</fpage><lpage>176</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Рохас Сампер М., Кортес Сальседо Ф.Д., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Рохас Сампер М., Кортес Сальседо Ф.Д.</copyright-holder><copyright-holder xml:lang="en">Rojas Samper M., Cortez Salcedo F.D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.iberpapers.org/jour/article/view/648">https://www.iberpapers.org/jour/article/view/648</self-uri><abstract><p>В Колумбии и Перу национальная музыка и национальные музыкальные инструменты являются неотъемлемой частью культурного наследия, но они важны не только с культурной точки зрения. Создание и продвижение национальных музыкальных инструментов также отвечает задачам социального, экономического и политического развития этих стран. Традиционная музыка, сформировавшаяся в Колумбии и Перу под влиянием обычаев коренных народов, африканских ритмов и наследия Испанской империи, воплощает в себе богатую историю и культуру коренных народов, помогает сохранить традиции и национальную идентичность. Цель настоящего исследования — ответить на ряд вопросов, связанных с развитием и продвижением национальных музыкальных инструментов, а также оригинальных музыкальных и танцевальных жанров в Колумбии и Перу. В частности, каковы основные характеристики музыкальных инструментов в этих странах? Какие проблемы и возможности связаны с их использованием? Как национальная музыка способствует достижению общих целей развития этих стран? Популяризация национальной музыки и музыкальных инструментов способствует социальной сплоченности и формированию чувства связи со своими корнями, содействует развитию туризма и играет важную роль в сфере образования. Музыка также связана с политическими процессами, поскольку она стала элементом предвыборных кампаний и фактором, который необходимо учитывать при разработке национальной политики в области культуры и туризма. В то же время существуют сложности, связанные с продвижением национальной музыки и музыкальных инструментов, в том числе недостаточное государственное финансирование, отсутствие официальных структур для развития местных традиций, а также социальные и политические барьеры. Значение национальной музыки в Колумбии и Перу огромно: музыкальные инструменты не просто часть индустрии развлечений, это национальные символы, которые пробуждают в людях гордость за культуру своего народа.</p></abstract><trans-abstract xml:lang="en"><p>In Colombia and Peru, national music and national musical instruments are essential elements of cultural heritage, yet their importance goes beyond culture. The promotion of national musical instruments also pursues the two countries’ social, economic and political development goals. Traditional music, shaped in Colombia and Peru by the customs of indigenous peoples, African rhythms and the legacy of the Spanish Empire, embodies the rich history and culture of the indigenous peoples, helps to preserve traditions and national identity. The study seeks to answer the following questions related to the development and implementation of national instruments in Colombia and Peru: what are the key features of the national instruments in these countries? How are they developed and implemented? What are the challenges and opportunities arising from using them? How do they contribute to achieving the two countries’ development goals? The popularization of national music and musical instruments fosters the feeling of belonging and social cohesion, promotes tourism and plays an important role in education. Music is also related to political processes, as it has become an element of electoral campaigns and a factor to be taken into account when elaborating a national policy on culture and tourism. At the same time, the promotion of music and national instruments poses a number of challenges, including insufficient state funding, lack of official structures to promote local traditions, social and political barriers. Still, music is of paramount importance for Colombia and Peru: musical instruments are not only part of the entertainment industry but also national symbols that harmonize development and cultivate cultural pride.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Колумбия</kwd><kwd>Перу</kwd><kwd>национальные музыкальные инструменты</kwd><kwd>кумбия</kwd><kwd>вальенато</kwd><kwd>Национальный план развития музыки</kwd><kwd>перуанский кахон</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Colombia</kwd><kwd>Peru</kwd><kwd>national musical instruments</kwd><kwd>cumbia</kwd><kwd>vallenato</kwd><kwd>National Music Plan for Coexistence</kwd><kwd>Peruvian cajon</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Beto Vanegas B. 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