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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">cuadernos</journal-id><journal-title-group><journal-title xml:lang="ru">Ибероамериканские тетради</journal-title><trans-title-group xml:lang="en"><trans-title>Cuadernos Iberoamericanos</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2409-3416</issn><issn pub-type="epub">2658-5219</issn><publisher><publisher-name>MGIMO</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.46272/2409-3416-2024-12-2-126-152</article-id><article-id custom-type="elpub" pub-id-type="custom">cuadernos-629</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИБЕРОАМЕРИКА: МУЗЕЙ, МЕСТО ВСТРЕЧИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>IBERO-AMERICA: MUSEUM, MEETING PLACE</subject></subj-group></article-categories><title-group><article-title>Образы культурного наследия в туристическом бренде Испании</article-title><trans-title-group xml:lang="en"><trans-title>Images of Cultural Heritage in the Tourism Brand of Spain</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-0325-9486</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Королева</surname><given-names>А. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Koroleva</surname><given-names>A. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Алина Алексеевна Королева, канд. культурологии, доцент кафедры философии,</p><p>119454, Москва, проспект Вернадского, 76.</p></bio><bio xml:lang="en"><p>Alina A. Koroleva, PhD (Cultural Studies), Associate Professor at the Department of Philosophy,</p><p>119454, Moscow, prospect Vernadskogo, 76. </p></bio><email xlink:type="simple">a.koroleva@inno.mgimo.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Смольская</surname><given-names>Е. П.</given-names></name><name name-style="western" xml:lang="en"><surname>Smolskaya</surname><given-names>E. P.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Елена Павловна Смольская, канд. ист. наук, доцент, доцент кафедры медийной политики и связей с общественностью,</p><p>119454, Москва, проспект Вернадского, 76.</p></bio><bio xml:lang="en"><p>Elena P. Smolskaya, PhD (History), Associate Professor at the Department of Media Policy and Public Relations,</p><p>119454, Moscow, prospect Vernadskogo, 76.</p></bio><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Давыдкин</surname><given-names>В. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Davydkin</surname><given-names>V. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Виктор Сергеевич Давыдкин, аспирант кафедры философии,</p><p>119454, Москва, проспект Вернадского, 76.</p></bio><bio xml:lang="en"><p>Viktor S. Davydkin, PhD student, Associate Professor at the Department of Philosophy,</p><p>119454, Moscow, prospect Vernadskogo, 76.</p></bio><email xlink:type="simple">davydkin_v_s@my.mgimo.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Новикова</surname><given-names>Л. Д.</given-names></name><name name-style="western" xml:lang="en"><surname>Novikova</surname><given-names>L. D.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Лия Дмитриевна Новикова, магистрант лингвистического факультета,</p><p>129226, Москва, ул. Вильгельма Пика, 4 стр. 1.</p></bio><bio xml:lang="en"><p>Liya D. Novikova, Master Student at the Faculty of Linguistics,</p><p>129226, Moscow, Vilgelm Pik street, 4/1.</p></bio><email xlink:type="simple">4liechek@mail.ru</email><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>МГИМО МИД России</institution><country>Россия</country></aff><aff xml:lang="en"><institution>MGIMO University</institution><country>Russian Federation</country></aff></aff-alternatives><aff-alternatives id="aff-2"><aff xml:lang="ru"><institution>Российский государственный социальный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State Social University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>24</day><month>07</month><year>2024</year></pub-date><volume>12</volume><issue>2</issue><fpage>126</fpage><lpage>152</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Королева А.А., Смольская Е.П., Давыдкин В.С., Новикова Л.Д., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Королева А.А., Смольская Е.П., Давыдкин В.С., Новикова Л.Д.</copyright-holder><copyright-holder xml:lang="en">Koroleva A.A., Smolskaya E.P., Davydkin V.S., Novikova L.D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.iberpapers.org/jour/article/view/629">https://www.iberpapers.org/jour/article/view/629</self-uri><abstract><p>Согласно теории коммодификации наследие рассматривается как ресурс и в первую очередь акцентируется его экономическая ценность. Сфера культуры в общем, и наследие в частности, все чаще воспринимаются как фактор устойчивого развития. Одной из ключевых инфраструктурных функций наследия является его значение для формирования привлекательного образа территории, в том числе и как туристической дестинации. В эмпирической части исследования проанализировано 18 промороликов, посвященных культурному туризму, из последних пяти рекламных кампаний Turespaña. Проморолики — это короткие рекламные видео, рассчитанные на продажи. Они совмещают в себе рекламные тексты, визуальные образы и музыкальное сопровождение, достигая синергетического воздействия на целевую аудиторию. По частоте использования визуальных образов Испании лидируют объекты всемирного наследия: произведения Антонио Гауди в Барселоне и ее окрестностях, Алькасар в Сеговии. Из списка нематериального наследия чаще всего используются образы испанской кухни: средиземноморской диеты и виноделия. Рекламные тексты рассмотрены не только с лексической или грамматической стороны, но и со стороны их стилистической окрашенности, наличия дополнительных коннотаций и особых коммуникативных функций. Одной из рекламных стратегий является использование музыки, которая ассоциируется с определенной эмоцией, воспоминанием или посылом к действию.</p></abstract><trans-abstract xml:lang="en"><p>According to the theory of commodification, heritage is considered as a resource with its own economic value. The sphere of culture and heritage, in particular, are increasingly perceived as a factor of sustainable development. One of the key infrastructure functions of heritage is its role in the formation of an attractive image of a territory, of a tourist destination, in our case. In the empirical part of the study, we analyze 18 promotional videos dedicated to cultural tourism, from the last 5 advertising campaigns of Turespaña. Promotional videos are short videos designed to promote a specific marketing initiative, sale, or event. They combine both advertising texts, images and music, achieving a synergistic effect on the target audience. World Heritage sites of Spain are most frequently used in promos: Antonio Gaudi’s architecture in Barcelona and its surroundings, the Alcazar of Segovia. Intangible heritage is represented, first and foremost, by the images of Spanish cuisine, i.e. the Mediterranean diet and winemaking. We analyze not only lexical and grammatical components of promotion texts, but also their stylistic features, some additional connotations and special communicative functions. The use of music in promos plays an important role in making an emotional impact, as music is generally associated with a particular emotion, memory, thought, or it might even give us a strong incentive to act.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Испания</kwd><kwd>образ</kwd><kwd>наследие</kwd><kwd>территориальный брендинг</kwd><kwd>проморолики</kwd><kwd>реклама</kwd><kwd>туризм</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Spain</kwd><kwd>image</kwd><kwd>heritage</kwd><kwd>territorial branding</kwd><kwd>promotional videos</kwd><kwd>advertising</kwd><kwd>tourism</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Агрба А.А. (2023) Экономика впечатлений в призме культурно-ценностных парадигм, Концепт: философия, религия, культура, Т. 7, № 4, с. 98–116. https://doi.org/10.24833/2541-8831-2023-4-28-98-116</mixed-citation><mixed-citation xml:lang="en">Agrba A.A. 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