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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">cuadernos</journal-id><journal-title-group><journal-title xml:lang="ru">Ибероамериканские тетради</journal-title><trans-title-group xml:lang="en"><trans-title>Cuadernos Iberoamericanos</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2409-3416</issn><issn pub-type="epub">2658-5219</issn><publisher><publisher-name>MGIMO</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.46272/2409-3416-2024-12-2-72-86</article-id><article-id custom-type="elpub" pub-id-type="custom">cuadernos-626</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИБЕРОАМЕРИКА: МУЗЕЙ, МЕСТО ВСТРЕЧИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>IBERO-AMERICA: MUSEUM, MEETING PLACE</subject></subj-group></article-categories><title-group><article-title>Хуан де Арельяно (1614–1676) и его цветочные гирлянды</article-title><trans-title-group xml:lang="en"><trans-title>Juan de Arellano (1614–1676) and His Flower Garlands</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Ху</surname><given-names>Элис Джоан</given-names></name><name name-style="western" xml:lang="en"><surname>Hu</surname><given-names>Alice Joan</given-names></name></name-alternatives><bio xml:lang="ru"><p>Элис Джоан Ху, аспирант кафедры истории западноевропейского искусства,</p><p>199034, Санкт-Петербург, Университетская набережная, 7/9.</p></bio><bio xml:lang="en"><p>Alice Joan Hu, postgraduate student at the department of History of Western European Art,</p><p>199034, Saint Petersburg, Universitetskaya Embankment, 7/9.</p></bio><email xlink:type="simple">bepahuhu@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Институт истории СПбГУ<country>Россия</country></aff><aff xml:lang="en">Saint Petersburg State University<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>23</day><month>07</month><year>2024</year></pub-date><volume>12</volume><issue>2</issue><fpage>72</fpage><lpage>86</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ху Э.Д., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Ху Э.Д.</copyright-holder><copyright-holder xml:lang="en">Hu A.J.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.iberpapers.org/jour/article/view/626">https://www.iberpapers.org/jour/article/view/626</self-uri><abstract><p>Живопись с цветочными гирляндами приобрела большую популярность не только в искусстве Фландрии, но и Испании XVII в.; она вызывает к себе большой интерес у современных исследователей и экспертов, а также широкой публики, доказательством чему являются выставки картин с цветочными гирляндами. Например, тематическая выставка — «Ars vivendi. Франс Снейдерс и фламандский натюрморт XVII века» — открыта в 2024 г. в Эрмитаже. Одним из знаковых представителей живописи в жанре цветочной гирлянды является Хуан де Арельяно. На раннем этапе творчества художник концентрировался на религиозных темах и изображении человеческих фигур, но ни то ни другое не соответствовало его особым дарованиям, поэтому постепенно, находясь под сильным влиянием фламандских (Д. Сегерс) и итальянских (М. Нуцци) мастеров, Арельяно переходит от религиозных композиций в гирляндах через пейзажи в гирляндах к картинам с цветочными мотивами: цветам в вазах, цветам в корзинах и декоративным цветочным гирляндам, что свидетельствует о тенденции к декоративизму, проявившейся в расцвете декоративной живописи в Испании второй половины XVII в.</p></abstract><trans-abstract xml:lang="en"><p>The work of Juan de Arellano, a prominent Spanish painter and creator of flower garland paintings, proved influential in the 17th century Spanish art. Arellano’s creative path was far from easy. In the early stage of Juan de Arellano’s career, he concentrated on religious themes and human figures, but neither reflected his particular talent. Inspired by Flemish (Daniel Seghers) and Italian artists (Mario Nuzzi), Arellano started to paint flower still lifes, such as flowers in a vase, flowers in a basket and images framed by a flower garland. Paintings with flower garlands gained popularity not only in Flemish art, but also in Spain in the 17th century. Nowadays flower garland paintings are still popular with viewers and researchers, hence the number of garland paintings exhibitions, for instance, «Ars vivendi. Frans Snyders and 17th century Flemish Still Lifes» in the Hermitage (2024). Arellano transitioned from religious compositions with garlands through landscapes with garlands to floral still lifes. Thus, the trend towards decorativism manifested itself as decorative art flourished in Spain in the second half of the 17th century.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Хуан де Арельяно</kwd><kwd>цветочные гирлянды</kwd><kwd>фламандская живопись</kwd><kwd>испанская живопись</kwd><kwd>цветочный натюрморт</kwd><kwd>живопись барокко</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Juan de Arellano</kwd><kwd>flower garlands</kwd><kwd>Flemish painting</kwd><kwd>Spanish painting</kwd><kwd>floral still life</kwd><kwd>Baroque painting</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Калмыкова В.В. (2021) Цветы. Великие полотна, Москва, Белый город, 240 с.</mixed-citation><mixed-citation xml:lang="en">Kalmykova V.V. (2021) Tsvety. Velikie polotna [Flowers. Great paintings], Moscow, Belyi gorod, 240 p. 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