cuadernosИбероамериканские тетрадиCuadernos Iberoamericanos2409-34162658-5219MGIMO10.46272/2409-3416-2023-11-2-111-125cuadernos-546Research ArticleИССЛЕДОВАТЕЛЬСКИЕ СТАТЬИRESEARCH ARTICLEЧерез тернии к звёздамThrough Hardship to the StarsКонстантиноваН. С.KonstantinovaN. S.

Константинова Наталия Сергеевна - кандидат исторических наук, руководитель Центра культурологических исследований ИЛА РАН.

115035, Москва, ул. Большая Ордынка, 21

Natalia S. Konstantinova - PhD (History), Head of the Center for Cultural Studies of Institute of Latin American of RAS.

115035 Moscow, Bolshaya Ordynka street, 21

natkonst@hotmail.comИнститут Латинской Америки РАНРоссияInstitute of Latin American of RASRussian Federation202319072023112111125Copyright © Константинова Н.С., 20232023Константинова Н.С.Konstantinova N.S.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.iberpapers.org/jour/article/view/546

Бразильский театр — ярчайшее явление бразильской культуры — по ряду объективных причин значительно меньше известен за рубежом, чем другие ее сферы. Представляет интерес проследить генезис и основные этапы  эволюции драматургии и театрального искусства Бразилии на протяжении пяти столетий. Важную роль в рождении бразильского модернизма имела Неделя современного искусства, состоявшаяся в Сан-Паулу в 1922 году и кардинально повлиявшая на весь последующий культурный процесс. Доминирующей ролью в бразильском театре всегда была демократическая традиция, а феномен «нового театра» в различных формах и проявлениях подтверждается рядом принципиально значимых театральных постановок, вошедших в золотой фонд национальной культуры. Анализируется театральная теория и практика харизматичной фигуры бразильской культуры ХХ столетия — Аугусту Боала  (Аugusto Boal, 1931–2009) и некоторых других  наиболее известных драматургов страны.

The article is devoted to one of the brightest phenomena of Brazilian culture – theater, which, for a number of objective reasons, is much less known abroad than its other areas. The genesis and main stages of the evolution of the dramaturgy and theatrical art of Brazil over the course of five centuries of its existence are briefly considered. The extremely important role of the Week of Modern Art, held in Sao Paulo in 1922, which marked the birth of Brazilian modernism, which radically influenced the entire subsequent cultural process, is emphasized. Particular attention is paid to the formation and development of the democratic tradition that has dominated the Brazilian theater since its inception to this day. The phenomenon of the «new theater» in various forms of its manifestation is considered. The theatrical theory and practice of one of the charismatic figures of the Brazilian culture of the 20th century, Augusto Boal, is analyzed. Attention is focused on the names of the country’s most famous playwrights, and as an example, some of the most striking theatrical productions that are firmly included in the «golden fund» of national culture are analyzed.

бразильский театр и драматургиядемократические тенденцииТеатр АренаАугусту Боал«новый театр»Brazilian theater and dramaturgydemocratic traditionsArena TheatreAugusto Boal«new theater»ReferencesКонстантинова Н.С. (2003) Страна карнавала: несколько эссе о бразильской культуре. Наука, Москва. 144 с.Boal A. (1977) Teatro do Oprimido е outras Poeticas Politicas [Theater of the Oppressed and other political poetries], Civilizaçao, Rio de Janeiro, Brasil, 303 p. (In Portuguese)Константинова Н.С. (2017) Неделя продолжает жить. Иностранная литература. №10. С. 234-238.Gomes A.D. (1962) A invasão: A revolução dos beatos [The Invasion: The Revolution of the Blessed], Civilização Brasileira, Rio de Janeiro, Brasil, 255 р. (In Portuguese)Васина Е.Н. (1984) Основные тенденции развития бразильского театра 70-х годов. Дис. …канд. искусствоведения. Москва. 245 с.George D. (1992) The Modern Brazilian Stage, University of Texas Press, Austin, USA, 196 p.Konstantinova N.S. (2003) Strana karnavala: neskol’ko esse o brazil’skoi kul’ture [The Land of Carnival: Some Essays on Brazilian Culture], Nauka, Moscow, Russia, 144 p. (In Russian)Konstantinova N.S. (2003) Strana karnavala: neskol’ko esse o brazil’skoi kul’ture [The Land of Carnival: Some Essays on Brazilian Culture], Nauka, Moscow, Russia, 144 p. (In Russian)Konstantinova N.S. (2017) Nedelya prodolzhaet zhit’ [The Week Goes on], Inostrannaya literature, no. 10, pp. 234-238. (In Russian)Konstantinova N.S. (2017) Nedelya prodolzhaet zhit’ [The Week Goes on], Inostrannaya literature, no. 10, pp. 234-238. (In Russian)Michalski Y. (1979) O Palco Amordaçado [The Stage Gagged], Avenir, Rio de Janeiro, Brasil, 95 p. (In Portuguese)Michalski Y. (1979) O Palco Amordaçado [The Stage Gagged], Avenir, Rio de Janeiro, Brasil, 95 p. (In Portuguese)Michalski Y. (1982) Introdução ao teatro brasileiro moderno [Introduction to modern Brazilian theater], Conjunto, no 4. (In Portuguese)Michalski Y. (1982) Introdução ao teatro brasileiro moderno [Introduction to modern Brazilian theater], Conjunto, no 4. (In Portuguese)Nunes S. (2013) A breve história do teatro brasileiro e suas reviravoltas dramáticas [The brief history of Brazilian theater and its dramatic twists and turns], Globo Universidade. 29.06.2013. URL: http://redeglobo.globo.com/globouniversidade/noticia/2013/06/breve-historia-do-teatro-brasileiro-e-suas-reviravoltas-dramaticas.html (accessed: 25.05.2023). (In Portuguese)Nunes S. (2013) A breve história do teatro brasileiro e suas reviravoltas dramáticas [The brief history of Brazilian theater and its dramatic twists and turns], Globo Universidade. 29.06.2013. URL: http://redeglobo.globo.com/globouniversidade/noticia/2013/06/breve-historia-do-teatro-brasileiro-e-suas-reviravoltas-dramaticas.html (accessed: 25.05.2023). (In Portuguese)Overhoff Ferreira C. (2008) Uma Breve História do Teatro Brasileiro Moderno [A Brief History of Modern Brazilian Theater], Nuestra América, no. 5, pp.131-143. (In Portuguese)Overhoff Ferreira C. (2008) Uma Breve História do Teatro Brasileiro Moderno [A Brief History of Modern Brazilian Theater], Nuestra América, no. 5, pp.131-143. (In Portuguese)Patriota R. (2010) A escrita da história do teatro no Brasil: questões temáticas e aspectos metodológicos [The writing of the history of theater in Brazil: thematic issues and methodological aspects], História (São Paulo), pp. 79-110. (In Portuguese)Patriota R. (2010) A escrita da história do teatro no Brasil: questões temáticas e aspectos metodológicos [The writing of the history of theater in Brazil: thematic issues and methodological aspects], História (São Paulo), pp. 79-110. (In Portuguese)Vasina E.N. (1984) Osnovnye tendentsii razvitiya brazil’skogo teatra 70-kh godov [The main trends in the development of Brazilian theater in the 1970s], PhD. Thesis, Moscow, Russia, 245 p. (In Russian)Vasina E.N. (1984) Osnovnye tendentsii razvitiya brazil’skogo teatra 70-kh godov [The main trends in the development of Brazilian theater in the 1970s], PhD. Thesis, Moscow, Russia, 245 p. (In Russian)

The authors declare that there are no conflicts of interest present.